Design Addict


Construction III

The work consists of 522 Italian Travertine Silver blocks and a framed hand-drawn construction drawing.The blocks have been cut and sanded into 10 different basic shapes, based on children’s wooden toy blocks. These are built into a construction, based on the construction drawing on black paper.The blocks are not affixed in any way, but placed on top of each other in a specific building order.522 Italian Travertine Silver building blocksBlack paper and white ink117cm x 60cm x 84cm (sculpture)110cm x 75cm (drawing)For more on this work, you can visit– Conrad Willems is a visual artist making drawings, sculptures and performances.He was born by the sea, but lives and works in Ghent.Geometry, repetition and modularity are three basic principles in all of his works, resulting in a visual language that is highly recognisable.The drawings show the repetition of figures, varying in shapes and sizes. They are made with freehand and without a predetermined plan: every drawn line is a permanent one. This method of freehand repetition generates patterns, disturbed by imperfections in the repetition process. Some earlier drawings are reminiscent of cities or minimal urban landscapes. There are however only shapes, no buildings. The form denies any function. In more recent work, the repetition pattern becomes more and more flawed. Ultimately, each shape is a new one. In his latest work he layer several drawings over each other, blurring recognisable shapes, then adding new ones.The sculptures share the same basic principles. Earlier works explored simple geometric shapes, blurred or emphasised by adding light. Later sculptural works are constructed with freestanding pieces. These modular installations are often constructed live. The building process thus becomes a performance, the resulting construction an installation work. His latest installations are made with natural stone building blocks, referring more and more to sculptures in a more classical sense.The interpretations of the works are left to the viewer. For more on Conrad Willems, you can visit

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