Search result for: di frutta
| # | Post Title | Result Info | Date | User | Forum |
| What seems so obvious... | 1 Relevance | 22 years ago | koen | General discussion | |
| What seems so obvious... is in fact quite a complex problem. Jan's particular point of view is that of an academic, involved in teaching. If you design a chair, there might not be a great difference between a designed and a re-designed chair, and even if there was, we would probably never agree on what is the designed part and what is the re-designed part, what is a combination of the two and finally where are the overlaps. Jan's question is related to his role as an educator and it seems to me that there is a substantial difference between educating people ... | |||||
| RE: How to tell an Arne Vodder replica | 1 Relevance | 6 years ago | mvc | Identification | |
| Hi, the difference can be clearly seen in the details, just google and compare. | |||||
| RE: Ponti Inspired Coffee Table | 1 Relevance | 6 years ago | mvc | Identification | |
| Well, the difference in dimensions cannot be denied, but the two cross supports could have been additionally installed by the idiot. I think the two stenciled numbers on the bottom can be neglected, they seems to me irrelevant in the question of whether the table is real or not. | |||||
| RE: Ponti Inspired Coffee Table | 1 Relevance | 6 years ago | mark737 | Identification | |
| @mvc difference must be Arizona (11 votes), which some outlets still show as undecided. Trump campaign has been saying all day they expect to win it, but as we know they sometimes shade the truth. Reportedly, Trump is down 92K with about 600K votes to be counted. Trump's people project they will win by 30K when all are counted. | |||||
| Leif Jacobsen credenza | 1 Relevance | 6 years ago | Armourdm | Repair | |
| Hello. I'm looking for replacement hinges for a 1960s Leif Jacobsen credenza. Specifically, I'm looking for two overlay pivot hinges as in the attached photo. The hinge on the left (check marked) is what I need and not the hinge on the right (crossed out). There is a subtle but important difference in the hinges. I've tried to source them online to no avail. Any suggestions of where these could be sourced would be most appreciated. Attachment: IMG_3958.jpg | |||||
| It's me again... | 1 Relevance | 22 years ago | koen | General discussion | |
| It's me again... I do not disagree Mark but Arne Jacobsen's Cylinda line is from 1967...and has already been a classic for quite some time. My real reason to respond ones more are the comments about crafts and artisanal production. To a large extend, what we see from Droog, Marc Newson and many others are in fact very small run productions not unlike one of a kind or artisanal productions.(it is one of these irritating things that scream at you when you look at Marc Newson's cast aluminum tables, chairs etc. The form definition is so poor and a mediocre buff ... | |||||
| It's me again... | 1 Relevance | 22 years ago | koen | General discussion | |
| It's me again... I do not disagree Mark but Arne Jacobsen's Cylinda line is from 1967...and has already been a classic for quite some time. My real reason to respond ones more are the comments about crafts and artisanal production. To a large extend, what we see from Droog, Marc Newson and many others are in fact very small run productions not unlike one of a kind or artisanal productions.(it is one of these irritating things that scream at you when you look at Marc Newson's cast aluminum tables, chairs etc. The form definition is so poor and a mediocre buff ... | |||||
| Eileen Gray | 1 Relevance | 22 years ago | Annette.sco | General discussion | |
| ... very famous design becomes over copied does not this 'blight' even the best (even the licensed) copies? Even if I liked the Barcelona chair or Eames lounger (I don't rate them for comfort) I probably wouldn't buy them because I know that nobody who comes into my house would appreciate that they were any different from the ubiquitous cut-price knock-offs. Instead I buy the work of Scandinavian designers (+ a bit of 'Bauhaus') from the inter-war period which is still being produced - not cheap but they should be just famous enough so that anyone who knows ... | |||||
| RE: Armchair - is it worth repairing? Who made it? | 1 Relevance | 6 years ago | leif ericson - Zephyr Renner | General discussion | |
| Both Niels Vodder and Willy Beck used dowels for chairs and quite successfully. Niels Møller used dowels combined with mortise and tenon. Carl Hansen used mortise and tenon. Of these probably Møller joints we’re probably the weakest because of the size of the dowels, number and placement. All are perfectly satisfactory for chairs that have lasted 60 years. Fundamentally the difference between cabinetmakers and factories was about economics not construction or means of construction. @mvc are you a woodworker / carpenter / cabinetmaker? | |||||
| RE: Is this Sibast ? | 1 Relevance | 6 years ago | leif ericson - Zephyr Renner | Identification | |
| This chair here for instance has been a long time credited to Ib Kofod Larsen when in fact it was designed by Eva & Nils Koppel for Slagelse Møbelværk. Same backrest connection although there are screw holes to the rear, which is a substantial difference. https://www.lauritz.com/sv/auktion/ib-kofod-larsen-laenestol-af-amerikansk-eg/i4378716/ | |||||
| 1970 armchair unkown | 1 Relevance | 6 years ago | Howesthis1 | Identification | |
| Hi guys need help identifying this chair. All it has is a date stamp of 1972. The big difference to other chairs are the angle of the arms. Any leads on designer or manufacturer would be appreciated. Thanks. Attachment: 20210121_174622.jpg | |||||
| Moller chair identification | 1 Relevance | 5 years ago | Hi.alecdavis | Identification | |
| I just ordered these chairs (pictured), which I think are Møller 71. However, I’m noticing that most 71’s I see online have a more downward curving upper seatback (though a couple I’ve found are flatter like mine). Can anyone shed some light on the difference? Thanks! Attachment: 06AC0779-BA25-4C80-8191-80436C90CFDD.jpeg | |||||
| Sounds fanciful ? Well... | 1 Relevance | 22 years ago | GanS | General discussion | |
| ... argues that (ii) cannot exist, for technical patent reasons; Koen argues that this is incorrect. I respect both of them for making coherent points. What I don't respect is the mindless thinking which argues that brand-name is everything and there can be no distinction between (ii) and (iii), and a fake is just a fake. I am even less convinced by the argument that there is no *moral* difference between (ii) and (iii): actually I think that by promoting a free market in accurate high quality reproductions, we are doing the artist/designer a greater servic ... | |||||
| There was a good reason | 1 Relevance | 22 years ago | koen | General discussion | |
| There was a good reason for me not to participate in this discussion, but let me try to complement SDR questioning of the ethical/moral aspect. Before doing that I just want to point out that my statement: use your own judgement is the same position as b's "...if you see the difference between the one in the MOMA or in Eames's home" and... Back to the moral question. In my view there is a moment where even original works of art and design should return to the public domain and be owned by everyone of us. It is based on the understanding that nobody creates o ... | |||||
| For obvious reasons | 1 Relevance | 22 years ago | koen | General discussion | |
| For obvious reasons I am not going to be part of this discussion but I would like to point out that one has to make a difference between two different intellectual property legislations, one being the protection of original works of industrial design (called differently in different countries but basically following the same international conventions) and the copyright legislation. As far as I know the model of the lounge chair is in the public domain (belongs to all of us) simply because the legislation under U.S.law (design patents)does not allow for prote ... | |||||
If you need any help, please contact us at – info@designaddict.com








