Thanks to sebastian for the photoshopping, and for so many good ideas and experiences, well expressed. I have no trouble seeing this piece in the more-contrasting colors. And yes, I would think of applying the top-coat to one color before staining (or dying) the other.
A really helpful if time-consuming step would involve making one or more sample panels of the same species, to try your colors and application techniques -- including the separation of colors, and the subsequent flattening of the top-coat at the transition line -- of course. Dyes sound to me like they would be more likely to migrate under the neighboring top-coat, making a fuzzy seam ?
I will report. again, that I've been doing some table-top finishing with oil-based polyurethane, where I apply satin poly with a foam roller and immediately brush out bubbles, etc. Between each coat I sand (carefully) with 220 on a good flat orbital sander, to flatten and deal with any specks. For the same reason I sand the final coat as well, then get it to a nice satin with steel wool. All of this is to achieve a spray-quality durable finish with no spray equipment or even a proper finish area; I work outdoors, mostly.
The site is not letting me upload any pictures, but here are the links to some other pieces that have the same handles and combination of woods. I guess that if i could find it, you may have seen it already, but... just in case.
https://www.wright20.com/auctions/2008/04/modern-design/433?search=dunbar
https://www.wright20.com/auctions/2008/04/modern-design/435?search=dunbar
https://www.wright20.com/auctions/2008/04/modern-design/434?search=dunbar
in one of them reads:
" literature: Edward Wormley: The Other Face of Modernism, Gura, Kennedy and Weinberg, pg. 25"
Again, just in case there is something interesting there.
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