Not crazy about the font. It doesn't speak to modernism particularly, which I assume is still the focus of the site ? More "tasteful contemporary," perhaps. Can anyone name the face ?
There's sound history behind our association of sans-serif typography with twentieth-century modernism. In the same vein, the presence of a little red with the black and white is historically justified, and is missed in the new graphic. In particular, it would serve as a recognition bridge between the old and new logos.
The letter-spacing is almost all right; the spaces in "addict" could close up just a bit, to match those in "design." With most fonts I look for an overall balance of density -- seen in extreme low resolution, there should be a minimum of light and (especially) dark spots.
With good reason, Mark. Futura is (one might say) the classic go-to for the period, for the movement, for effective context (he said). And there are several variants of Futura, for the designer to employ as deemed necessary.
Spanky, that's an interesting fact, isn't it. An implication is that the new logo typography was drawn for the job -- a labor of love not usually seen nor really necessary, one would think -- or that there's a knock-off face that hasn't yet been identified.
I haven't been a big fan of the original DA logo, and would welcome a fresh replacement. But this isn't it, in my view -- and with the loss of a second color, a step backward ?
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