psss.
Strange behavior isn't uncommon with me,,especially in the old days. So when recovering all of the bowling balls, I consistently pit a secret little note in each of the 3 covered finger holes. I have no clue as to what I wrote. Whatever was on my feeble mind...I guess. Oh.....
Beads and bites,
Aunt Mark
Cats and design
Henry
Is our cat's name. BIG beige cat.
He tries out every single shell I get.
He also is obsessed with hanging out under any and all wire bases. Eiffel, LAR, LTR -- it doesn't matter.
I trust his good design instincts.
I like your green vases, and woody's all white op art vases.
A lot of anything looks good. Repetition is a universal design principle.
Seems every museum installation these days is pretty much an obsessive "collection" of a bunch of the same thing, piled into one corner of a room.
As long as it is pushed past the point of ridiculousness, it usually works.
Here's a nice one
I had this bird for around two years, but just sold it recently. I would have posted it here, but I didn't know you guys liked pottery back then. This is a very rare Raymor Bitossi Peacock. Highly oversized. Around 24" long x 16" high. Only a few pieces in this pattern are noted, and are around 5" long. It really could be a museum piece. I wish I wouldn't have got rid of it now...:(
I posted this in the
art thread too but it fits here.
These are just pieces I picked up at auctions for cheap---some Japanese mass-produced stuff that looks handmade, some local handmade pieces, and maybe a Raymor thing or two, I forget. This was two houses ago and right now they're all packed away but will soon be liberated.
I had a lot more than this but tried to edit them down to an interesting mix of contrasting colors, texture, and mostly sizes and shapes. It was a fun exercise in composition.
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