Search result for: di frutta
| # | Post Title | Result Info | Date | User | Forum |
| RE: Rosewood Credenza with Exposed Hinges | 1 Relevance | 5 years ago | leif ericson - Zephyr Renner | Identification | |
| ... catalogs that the wood species is not identified. It is only in the press article mentioning and the wording is tightly parsed. The sentence is about the desk. Notice it is chrome and veneer, no solid wood. And they describe it as “Canaletta, a Venezuelan rosewood”, which fits nicely in the long history of marketing wood to indicate that it is probably from Venezuela (or at least bought there) and isn’t what historically was sold as rosewood. I can add that Canaletta is unlikely to be a local or native Venezuelan name for the wood because it is spelled usi ... | |||||
| objectworship - you have | 1 Relevance | 11 years ago | teakhound | General discussion | |
| objectworship - you have inspired me. The Broad by diller Scofidio + Renfro, Downtown LA. | |||||
| A WWW window | 1 Relevance | 21 years ago | Olive | General discussion | |
| A WWW window I use DA as a school of sorts. I've learned about tons of things that I'd never heard of before coming here. I also love the willingness to share knowledge by many of the professional designers who come here. SDR, dcwilson, azurechicken, gerrit, youself and others have all graciously explained stuff from wood finishes to architectural styles to fiberglass molding. I am going to graduate from the Design Addict School of Design dilletantes! | |||||
| zepp02 wrote: | 1 Relevance | 18 years ago | ChrisG-52 | General discussion | |
| zepp02 wrote: > The lamp you show as being from a memphis department store > was recently being sold on ebay as Sonneman. I bought four > of the lamps at a dilliards that was closing its store here > and was wondering about its designer. The lamp uses a fluorescent > lighting fixture so I don't see how it could be from the 40's. Looks > like sixties or early seventies. I had always assumed the florescent was a retro-fit. There is no brand on them anywhere. I hope you're correct. I'd love to know more about the lamp. It may make it much less rare, but I'd hav ... | |||||
| Lamp from the forties | 1 Relevance | 18 years ago | zepp02 | General discussion | |
| Lamp from the forties The lamp you show as being from a memphis department store was recently being sold on ebay as Sonneman. I bought four of the lamps at a dilliards that was closing its store here and was wondering about its designer. The lamp uses a fluorescent lighting fixture so I don't see how it could be from the 40's. Looks like sixties or early seventies. | |||||
| last one | 1 Relevance | 20 years ago | room606 | General discussion | |
| last one I can see why you, as a firsdibs dealer, might be insulted by what I've been writing. Apologies to you if you approach your business more dilligently and respecfully. Yes, I feel I must have a very bad attitude about firstdibs at this point. I don't usually discuss French poodle poop in terms of design. Best of luck. | |||||
| Mid-Century Modern Chair: Dillingham? | 1 Relevance | 9 years ago | frauleinlaura | Identification | |
| Well, it's certainly good to | 1 Relevance | 9 years ago | cdsilva | General discussion | |
| Well, it's certainly good to find another example, which can lead to additional info about your chair. While no marks were posted in the listing, perhaps you could contact the dealer to see if they saw any before it was sold. From an attribution perspective, having a sales listing claim a specific designer/manufacturer without verifiable evidence is worthless. Many dealers are either 1) clueless, 2) willfully ignorant on questionable attributions, 3) make assumptions about attributions, or 4) intentionally continue incorrect attributions based upon other incorrect attributions already floating around online. Read this "Martin Borenstein" thread for an interesting/entertaining read about online attributions. https://www.designaddict.com/forum/Identification/Dillingham-Esprit-and-M... While I do not know who manufactured your chair, I do know the four documented Danish manufacturers who were authorized to make them: 1) N.C. Jensen Kj | |||||
| Table Identification Thanks in advance!!! | 1 Relevance | 12 years ago | APiede | Identification | |
| Hi, Picked this up at a local thrift store with 4 dillingham Chairs. I don't believe the table is dillingham. Any help on ideas of it's origin would be great. Thanks for any help! Amanda http://www.dropbox.com/sc/8v6t1rkp6vfzcoy/AAAnhCzsbB5pkni4WWmTbSNXa | |||||
| There is absolutely nothing | 1 Relevance | 10 years ago | straylight | General discussion | |
| There is absolutely nothing in my Milo Baughman research to suggest that he ever designed for dillingham... | |||||
| I also have a set with this | 1 Relevance | 10 years ago | leif ericson - Zephyr Renner | General discussion | |
| I also have a set with this table and chairs. It is also marked 1969: January 20, 1969 to be exact. I suspect it is not part of the Esprit line, unless the line was expanded after that brochure, which is possible I suppose. I suspect it is some other dillingham line, and there were quite a few others. For some reason their names are not nearly as well known as Esprit. I would be very surprised if there is anything to the story that Milo Baughman designed the set. | |||||
| Thanks, I did not know either | 1 Relevance | 11 years ago | bigdog1970 | General discussion | |
| Thanks, I did not know either that he designed Perspective or that dillingham was a division of Drexel | |||||
| Baughman designed for Drexel | 1 Relevance | 11 years ago | surroundinsound | General discussion | |
| Baughman designed for Drexel in the 50' (as stated in Leif's link) and dillingham is a division of Drexel. There is a furniture advertisement floating around the web that links Baughman to dillingham. The print is too small to read to verify this but there is a possibility. | |||||
| No Milo Baughman did not | 1 Relevance | 11 years ago | leif ericson - Zephyr Renner | General discussion | |
| No Milo Baughman did not design for dillingham. Very early in his career he designed for Gleen of CA and Pacific Iron. Then he did one line for Drexel and Winchendon. Then he designed exclusively for Thayer Coggin / James. http://www.thayercoggin.com/thayerandmilo2.html | |||||
| Nice. You picked very well | 1 Relevance | 11 years ago | leif ericson - Zephyr Renner | General discussion | |
| ... of value and cachet., not too much, not too little. Just plausible enough to become truth, and who can prove you wrong. dillingham probably wishes they'd thought of it about 50 years ago. It is a beautiful thing, freshly created truth. Martin Borenstein, the perfect usual suspect. Right after Milo Baughman, the designer you can frame for anything. | |||||
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