Search result for: di frutta
| # | Post Title | Result Info | Date | User | Forum |
| Size matters | 1 Relevance | 19 years ago | Sound & Design | General discussion | |
| Size matters Be sure the dimensions of the photo is forum friendly. Too large and it'll slow loading times, awkward to view. | |||||
| Here is a pic of the catch... | 1 Relevance | 19 years ago | jesgord | General discussion | |
| Here is a pic of the catch... Here is a pic of the catch it all Sol Bloom was a sculptur who designed some mesh and iron furniture for a company called New dimensions Furniture. To be honest, although the catch it all is an iconic mid century design...I don't know much more than that about Mr. Bloom http://www.architonic.com/mus/gal/4101571 | |||||
| Cloudburst | 1 Relevance | 19 years ago | LuciferSum | General discussion | |
| ... pricetag). What most people want is the status a designer item brings. (would anyone knock off the canvas tote bags you get at the bookstore?) Quality is important, and it takes time, money, and effort. My father and brothers are very fine carpenters. One is a stained glass artist as well. Two uncles are a painter and a designer. My grandfathers were a construction foreman and an opera singer. My own training is in sculpture and bookbinding. Creativity, knowledge of materials, and specific craft seem to run in my family: I see a very direct link between ... | |||||
| Email from Vintage Eames | 1 Relevance | 19 years ago | barrympls | General discussion | |
| ... for this EC127 and also some of the original sales literature. This is an on-going research project. At this time, our research suggests that the EC127 went on sale, or was first introduced, in 1970. That is the first date on which it first appears in Herman Miller catalogues. In the 1970 Herman Miller catalogue, the chair is heralded, as if for the first time, with these words: "The new EC127, designed by Charles Eames, evolves from his classic molded plywood chair of 1946. The back has been brought forward creating less pitch and more back support. Th ... | |||||
| LRF said: "Purists may... | 1 Relevance | 19 years ago | NULL NULL | General discussion | |
| LRF said: "Purists may... LRF said: "Purists may complain that the principles of Cubism in painting can not be applied in spatial objects..." Just to comment on this, I think Pablo Picasso himself would be surprised to hear that cubism cannot be applied in three dimensions. I'm a preparator at the Art Institute of Chicago and we certainly do have a varied collection of cubist sculpture, some by Picasso himself. | |||||
| oops forgot | 1 Relevance | 19 years ago | HP | General discussion | |
| oops forgot I got the macro lens out on the blueprint image (duckett, 1950, held by Vitra) and as near as I can make out the absolute width of the backrest appears to be 29 3/4" and the dimensions of the flat bar seems to be 1/2 x 1 3/4 though its was a very very dirty image. I wonder if Vitra or Columbia would divulge that information if asked? | |||||
| Which book is that? I'll... | 1 Relevance | 19 years ago | NULL NULL | General discussion | |
| Which book is that? I'll... Which book is that? I'll have to get a copy! I think (ie, I'm not sure) that flat bar metal is usually bent by passing it through rollers, depending on the thickness of the metal and the radius of the curve, this could require a lot of force. did the book have any info on the dimensions of the steel used? | |||||
| I see your point | 1 Relevance | 19 years ago | whitespike | General discussion | |
| I see your point But the Howard Miller clocks are not even to be considered reproductions. They are not true in their dimensions and/or material quality. This is NOT equivalent to small changes made to products over time. This is a product lower in quality than the original, with dimensions changes probably only for legal reasons. Most of the time the changes in production that you speak of happens based on manufacturing contraints and changes in technology. Therefore I don't view these changes to be similar. This is a rare occurance of a knockoff being crea ... | |||||
| nope | 1 Relevance | 19 years ago | LRF | General discussion | |
| ... forum between Barry,Whitespike , myself and a few others it is pretty easy for us to spot what is NOT....... some one should email the dude who has that up on the web and tell him not to waste our time if he does not have a clue who really makes it, instead of thinking there is some dummy out there who will say yes that is the ticket ..... if you don't know what it is simply say i have no idea but don't jack inocent people around saying it early Herman Miller George Nelson, Here is what the guy sa ... | |||||
| That picture that LuciferSum ... | 1 Relevance | 19 years ago | brbeard | General discussion | |
| ... referring to the fact that the dimpled doors were in walnut instead of birch or were you criticizing the smoothness of the polyurethane topcoat? If it's the latter, well I can't counter you there, but if it's the former, just know that walnut dimpled doors are an option offered on his site (along with the birch dimpled doors). The black supports are also an option (as are zinc plated supports). In fact, I suspect that the ESU you attached to your post was an entirely customized piece (they had a section on the website for custom ESUs for people who neede ... | |||||
| tugendhat chair | 1 Relevance | 19 years ago | LRF | General discussion | |
| tugendhat chair Details Designer: Mies van der Rohe, Ludwig Date of Design: 1929 Date of Manufacture: 1965-1976 Model Number: 254 Materials: Solid stainless steel frame; leather straps; leather upholstery over foam cushions Dimensions: W 29 3/4", D 27 1/4", H 32 3/4" This chair was designed for a house Mies designed for Grete and Fritz Tugendhat in Brno, Czechoslovakia. Knoll acquired the rights to manufacture versions with and without arms from Mies van der Rohe in 1948. | |||||
| I'm not sure, I'd like to... | 1 Relevance | 19 years ago | HP | General discussion | |
| I'm not sure, I'd like to... I'm not sure, I'd like to own the shelves and the chair! The chair would be good with a slight reduction in the dimensions of the timber and webbed like an Aalto. The shelves and the chair are the sorts of pieces it would be good to see school students get a chance to do in wood and metal work classes. | |||||
| I was actually considering the Louis Ghost Chairs | 1 Relevance | 20 years ago | jdot | General discussion | |
| I was actually considering the Louis Ghost Chairs instead of these, for my dining chairs. I just need to work out whether the dimensions will jive.... | |||||
| this prooves | 1 Relevance | 20 years ago | NULL NULL | General discussion | |
| this prooves that design is all about the right proportions. looking at this white on white website it is amazing, knowing the real designs, how bad a design can turn if dimensions, proportions are altered. isn't there any law that forbids to do things like this company does? even it is just to protect our good taste. | |||||
| The wider arms have been dropped | 1 Relevance | 20 years ago | NULL NULL | General discussion | |
| The wider arms have been dropped They are all the original dimensions now. Made in China, with Italian leather - & very nice they are too. Not my cup of tea, they look great but are too firm for me, but a big seller. | |||||
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