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I find the
way the subject is rendered -- the facile and perfectly symmetrical modeling of the face, indeed the utter and lifeless symmetry of the whole image -- reminiscent of the skills that illustrators learn in art school, not the mature product of a painter. As such, it is the kind of art that one sees on the walls of movie sets, or in galleries aimed at tourists and casual shoppers of "sofa-sized" paintings . . .
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