As this is my Tread on DA Forum, I'll introduce myself. I have been interested in Design for over 30 years, first as a collector and then as an antique dealer. My interests seem to be more practical than theoretical and I definitely have more experience with decorative objects and art, rather than furniture and lighting. I especially enjoy finding rare objects in junk shops, thrifts and flea markets.
First is this exceptional Carafe. The glass has a PYREX symbol near the top lip. I'm guessing this is from the 30's because of the Machine Age style. Any idea on the designer or manufacturer?
Dear functionX2
Welcome to the forum. According to your classification I am on the theoretical side. I must admit that I have never collected anything in my life unless a library is a collection of books, that is. I have even surprised some people when they find out that I do not collect my own products (I am an industrial designer). It certainly makes the forum more interesting when people like you join the fun.
As to your question, I think that you are holding a one-of-a-kind piece. It is clearly based on a standard laboratory glass called an Erlenmeyer for Emil Erlenmeyer, the German "inventor" of the shape. The rest of the product is very typical for hand made pieces. The inconsistent detailing of the small knobs on to and bottom of the handle and the more mechanical look of the other pieces, the over-dimensioning of the metal pieces that hold the handle etc. are typical for the work of someone who enjoys working in his or her basement, has access to a lath etc. I suspect a lab technician with time on his hands...
To start from industrially made laboratorium glass is not exceptional. The first "french press coffeemakers and later on Bodum's first production were based on standard lab glass.
replies to Carafe
Barrympls, yes I know, for some reason Carafes don?t get much respect as antiques. Generally most are just so plain utilitarian, with kitschy designs. This example is different in every way, thanks for your observations.
Koen , I had not considered that, there is an active design department at the local ?Art School? ,Viktor Schreckengost taught there for a while. It really would be incredible if it could be attributed to him or one of his students.
I do not think...
that there are enough elements that would link it to Victor Schreckengost. He was not only "born" in family of ceramics , he also had a excellent education in it in Vienna (Austria) and this is a little but to un-balanced in it's aesthetics to be from the hand of a "the master of the pedal cars".
It could very well be that the Cleveland Institute of Art is the origin of your piece. It has something of a student project.
Why not contacting the Cleveland I.of A. or the Viktor Schreckengost foundation: www.viktorschreckengost.org
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