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A Clockwork Orange [VHS]
by John Alcott (Cinematographer) / Stanley Kubrick (Producer) / Stanley Kubrick (Writer) / Bernard Williams (Producer) / Max L. Raab (Producer) / Si Litvinoff (Producer) / Anthony Burgess (Writer) / Warner Home Video (Editor)

Stanley Kubrick's striking visual interpretation of Anthony Burgess's famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people's homes, and raping women. While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess's dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime. A Clockwork Orange works on many levels--visual, social, political, and sexual--and is one of the few films that hold up under repeated viewings. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos's electronic classical work) to underscore the violent scenes, which even today are disturbing in their display of sheer nihilism. Ironically, many fans of the film have missed that point, sadly being entertained by its brutality rather than being repulsed by it. --Bryan Reesman

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Austin Powers - International Man of Mystery (New Line Platinum Series)
by Mike Myers (Producer) / Mike Myers (Writer) / Claire Rudnick Polstein (Producer) / Demi Moore (Producer) / Eric McLeod (Producer) / Jennifer Todd (Producer) / Suzanne Todd (Producer) / New Line Home Entertainment (Editor)

It's a smashing shagadelic party as Mike Myers (Wayne's World 1 & 2, So I Married an Axe Murderer) and Elizabeth Hurley (Dangerous Ground) star in a non-stop, hilarious comedy adventure. Frozen in the 60's, secret agent Austin Powers (Myers) is thawed back into action to once again battle his archenemy Dr. Evil. With his sexy sidekick Ms. Kensington (Hurley), Austin must stop Dr. Evil's outrageous plot to control the world. But first, this time-warped swinger must get hip quick and discover that there's no free love in the 90's! An all-star supporting cast including Michael York, Robert Wagner, Mimi Rogers and Carrie Fisher make Austin Powers a wacky, far-out trip you won't forget.

DVD Features:
Audio Commentary:Commentary by actor Mike Myers and director M. Jay Roach.
Deleted Scenes
Other:An original animated sequence "Music to Shag to". Spy genre retrospective. Star highlights with scenes (all Letterbox 1.85, Dolby Digital 2.0 Surround) from Dangerous Ground (1997), Monkey Trouble (1994), Rapture, The (1991) (qv), and Wide Sargasso Sea (1993).
Production Notes
Theatrical Trailer



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Austin Powers in Goldmember
by Mike Myers (Writer) / Demi Moore (Producer) / Eric McLeod (Producer) / Gregg Taylor (Producer) / Jennifer Todd (Producer) / John S. Lyons (Producer) / Michael McCullers (Writer) / New Line Home Entertainment (Editor)

Despite symptoms of sequelitis, Austin Powers in Goldmember is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers--returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember--thrives by favoring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra. A bit tired, perhaps, but Powers hasn't lost his mojo

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Breakfast at Tiffany's
by Franz Planer (Cinematographer) / Philip H. Lathrop (Cinematographer) / Howard A. Smith (Editor) / Martin Jurow (Producer) / Richard Shepherd (Producer) / George Axelrod (Writer) / Truman Capote (Writer) / Paramount (Editor)

Audrey hepburn stars as holly golightly the beautiful if eccentric new york playgirl who wont let anything interfere with her plans to marry a millionaire not even a romance with new neighbor george peppard. Studio: Ingram Entertainment Release Date: 01/25/2005 Starring: Audrey Hepburn George Peppard Run time: 114 minutes Rating: Nr Director: Blake Edwards

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How to Marry a Millionaire
by Joseph MacDonald (Cinematographer) / Louis R. Loeffler (Editor) / Nunnally Johnson (Producer) / Nunnally Johnson (Writer) / Dale Eunson (Writer) / Katherine Albert (Writer) / Zoe Akins (Writer) / 20th Century Fox (Editor)

They're three beautiful models, looking for the man and the money of their dreams! Almost broke, they pool their funds to rent a posh Manhattan penthouse in which they plan to lure their victims. But the gold digger's plans suddenly go awry when two of them fall for men who appear to be poor! Trying to stop each other from marrying the wrong guy, Monroe, Grable, Bacall deliver the finest comedic performances of their careers. And they learn that a rich man is actually worthless- unless you're in love with him!

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Interiors
by Gordon Willis (Cinematographer) / Woody Allen (Writer) / Ralph Rosenblum (Editor) / Charles H. Joffe (Producer) / Jack Rollins (Producer) / Robert Greenhut (Producer) / MGM (Video & DVD) (Editor)

An "intensely provocative [and] searing dissection of human behavior" (New York Daily News),Interiors marked a cinematic watershed for Woody Allen. In his first serious drama, Allen's interest in the human condition was not purely farcical and not limited to quick-wit and slapstick gags. Exploring the dynamics of a family in crisis, Interiors is "destined to become a landmark of American filmmaking" (The Hollywood Reporter). Nominated* for 5 Academy AwardsÂ(r). When Eve (Geraldine Page), an interior designer, is deserted by her husband of many years, Arthur (E.G. Marshall), the emotionally glacial relationships of their three grown daughters arelaid bare. Twisted by jealousy, insecurity and resentment, Renata (Diane Keaton), a successful writer; Flyn (Kristin Griffith), a woman crippled by indecision; and Joey (Mary Beth Hurt) a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman (Maureen Stapleton), his decision to remarry sets in motion a terrible twist of fate with tragically unexpected consequences. Academy AwardÂ(r)-winning** cast. *1978: Actress (Page), Supporting Actress (Stapleton), Director, Original Screenplay, Art Direction **Page: Actress, The Trip to Bountiful (1985); Keaton: Actress, Annie Hall (1977); Stapleton: Supporting Actress, Reds (1981)

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The Invisible Art
by Mark Cotta Vaz (Author) / Craig Barron (Author) / Chronicle Books (Editor)

Since the birth of cinema, movie-makers have created stunning special effects by combining still "matte" paintings with live-action film. Matte painting techniques were closely guarded secrets that never left the studio lot. In this unprecedented retrospective, Mark Cotta Vaz and Craig Barron reveal the history of a visual effect that has defined movies as we know them-from Gone with the Wind and Citizen Kane to Star Wars and Titanic. Lavishly illustrated, The Invisible Art showcases the finest examples of now-rare matte paintings and unveils a century?s worth of fascinating stories, legendary personalities, and cunning movie craft. Including a foreword by George Lucas and a CD-ROM that brings to life these moving pictures, this volume is packed with exclusive interviews and a narrative that time travels from the first pioneering "glass shots" to the dawn of digital technology. The definitive book for the consummate movie fan, The Invisible Art conjures a never-before-told story of film wizardry.

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